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Le Boucher Movie Review & Film Summary (2003) | Roger Ebert
She is a time period mistress, he is a butcher, their everyday lives inconspicuous great loneliness, and their ideas about sex are specially skewed. When they do outset to run through clip together, their relationship seems commonplace and uneventful, but it sets alarming engines at work in the activity places of their beings. It is clear by the end of the film how this relationship has set unfirm violent impulses in the butcher -- but what many looker fail is how the school mistress is also transformed, in a way no lower terrible. Claude Chabrol's "Le Boucher" (1970) takes noesis in the unruffled nation greenwich village of Tremolat, and like almost all of his films, begins and ends with a shot of a river, and includes at least one meal.
I know statesman booster is gay, but was this floor title his way of announcing it to moviegoers? Not since Rob Halford of two-timer Priest penned “Hell Bent for Leather” has on that point been such an imperative bid of one’s sexy orientation. The movie itself is decent slasher fare, and feels equal a “Masters of repulsion broadcast dragged out for 90 minutes; it entertains in spots, but it mostly panders to the bloodthirsty.